The Movie Review Of Arrested Development Season 3
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Arrested Development Season 3: A Review
Summary:
Directed by Paul Feig, John Fortenberry, and Robert Berlinger, and produced by Chuck Williams, "Arrested Development" features a stellar cast including Jason Bateman, Will Arnett, Portia de Rossi, Michael Cera, Tony Hale, Alia Shawkat, Jessica Walter, Jeffrey Tambor, and David Cross. The writing team boasts Mitchell Hurwitz, Jim Vallely, Richard Day, Sam Laybourne, Jake Farrow, Karey Dornetto, and Chuck Tatham.
Review:
"Arrested Development" was renowned for its brilliance in comedy, so the sudden conclusion of the show's wit and charm in Season 3 came as a disappointment. Instead of the usual 22 episodes, this season offers only 13, with no subsequent season following.
Despite its brevity, Season 3 is packed with humor. The storyline comically navigates the dysfunctional Bluth family, now morally depleted but still amusing. The narrative revolves around Michael Bluth (Jason Bateman), the family’s responsible son, who finds a romantic interest in Rita (played by guest star Charlize Theron), a woman with a hidden secret. The cleverly placed clues about her secret will keep you laughing.
Jesse Hassenger from FilmCritic.com praises "Arrested Development" for being one of the most self-referential sitcoms ever, although it doesn't rely on self-mocking meta-jokes like "The Simpsons." One standout episode, "S.O.B.," humorously features Michael seeking assistance to "save" the Bluth family, with a nod to the "Home Builders Organization" (HBO) as potential saviors.
A highlight of Season 3 is its originality. The jokes and motifs are fresh and elevate the show’s quality to new heights.
In conclusion, while "Arrested Development" captivates with its unique charm, its premature ending leaves fans longing for more. As FilmCritic.com noted, every aspect of the show shines?"especially the talented writers who commanded the realm of TV comedy with their sharp wit, and directors like Paul Feig, known for blending fast-paced humor with a deadpan documentary style.
(FilmCritic.com review published with permission.)
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