Venice Mirror Of The Soul
Below is a MRR and PLR article in category Travel Leisure -> subcategory Vacations.
Venice: Mirror of the Soul
Capturing the Essence of Venice
Throughout history, countless artists have attempted to capture the enigmatic allure of Venice through words, music, and art. Esteemed writers like Goethe, Thomas Mann, Dickens, and Henry James crafted unforgettable prose, while composers such as Richard Wagner and Mendelssohn produced magnificent symphonies. Celebrated painters like Monet, Manet, Renoir, and Whistler were inspired to create some of their finest works. Each struggled to encapsulate the true essence of this magical city.
Mary McCarthy, in her book Venice Observed, remarked that the feelings and thoughts Venice evokes have been frequently expressed: "…what one is about to feel or say has not only been said before by Goethe or Musset, but is on the tip of the tongue of the tourist from Iowa…" This raises intriguing questions: Why do sincere attempts to describe Venice often sound clichéd? Is there anything new that can be said? Despite these challenges, I too felt drawn to embrace this captivating quest.
A Timeless Encounter with Venice
German author Thomas Mann once suggested that Venice should first be seen from the sea. Having arrived both by train and boat, I wholeheartedly agree. One spring afternoon, I landed at Marco Polo Airport and boarded a public boat bound for the city. As sunlight sparkled on the water, I eagerly awaited my first glimpse of Venice. Within moments, the Lido appeared, offering a charming introduction to the city that beckons the soul. Soon, Venice emerged from the shimmering waters like a lover's first kiss, leaving me utterly captivated.
Allow me to pass the narrative to Harry Jenkins, the protagonist from my Osgoode Trilogy:
Bridges arched gracefully over glistening waters, and pastel walls of pink, yellow, and white stood above shadowy doorways just above the waterline. Gondolas glided past marble balustrades, their gondoliers' songs echoing softly. Mesmerized, he felt as if he were gazing upon a masterpiece, yearning to reach out and ensure its reality. His excitement was palpable, drawing him into a moment of sublime artistic inspiration.
The Osgoode Trilogy and My Venetian Inspiration
Harry Jenkins is indeed the protagonist of my Osgoode Trilogy, with the third book, A Trial of One, releasing in September 2007. If you've read Conduct in Question and Final Paradox, you'll be eager to discover where the pursuit of elusive shares concludes?"a pursuit that has disrupted many lives. Naturally, it culminates in Venice, the true mirror of the soul.
My personal visit to Venice significantly influenced the setting and events of A Trial of One. Upon arrival, I met the woman from whom I rented a flat at the Sullam Palace. Drawing allure from its grand name, I found the apartment inviting?"small but offering everything I needed, including stunning views of the Palazzo Contarini-Bovolo.
As I settled in, I drifted to sleep to the gondoliers’ songs. Upon waking, I ventured out, discovering narrow streets lined with shops selling masks and marionettes. The photograph I took of a shop window that night graces the cover of Final Paradox.
Venice’s Enchanting Influence
In upcoming travel articles, I’ll share more about my Venetia stay from five years ago. One question lingers: How can a city so enchant a writer that no other setting seems fitting for unfolding a story? Stay tuned as I explore this mesmerizing city further and unravel its profound impact on storytelling.
For more insights, visit [MaryEMartin.com](http://www.maryemartin.com).
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