Classical Definition of Ghazal
Below is a MRR and PLR article in category Society -> subcategory Other.

Classical Definition of Ghazal
Title:
Classical Definition of GhazalSummary:
The ghazal, a poetic form originating from Arabic, refers to a manner of speaking to or about women, essentially embodying love's expression. Over time, ghazals have evolved to reflect various aspects of life, touching nearly every sphere of human interaction.Keywords:
Shayari, shaairy, poetry, poem, Urdu shayari, lovely shayari, ghazal, urdu, pakistan, hindi, indian, india, asianArticle Body:
The term "ghazal," derived from Arabic, signifies a manner of speaking to or about women, essentially symbolizing an expression of love. In today’s evolving world, the ghazal has grown to mirror life's complexities, encompassing a wide range of human interactions.To grasp the intricacies of Urdu ghazal, one must understand its foundational structure: it is a collection of couplets, or Shers, adhering to specific rules?"Matla, Maqta, Beher, Kaafiyaa, and Radif.
Understanding the Components of a Ghazal
1. Sher:
A Sher is a two-line poem. Despite its simplicity, each Sher stands independently, conveying a complete thought. For example:
- "Koi ummid bar nahin aati,
Koi surat nazar nahin aati."
Each stanza operates independently but remains part of the cohesive whole of a ghazal. Note that a collection of any two-line poems doesn’t automatically form a ghazal unless it follows additional conventions.
2. Beher:
Beher refers to the meter of the Shers. Both lines in a Sher must have the same Beher, and all Shers in a single ghazal must share this Beher. There are 19 types of Beher, generally categorized into short, medium, and long lengths. For example:
- Short:
"Ahale dairo-haram reh gaye,
Tere deewane kam reh gaye."
3. Radif:
In a ghazal, the second line of all Shers must end with the same word or phrase?"this is known as the Radif. In our example, "nahin aati" is the Radif.
4. Kaafiyaa:
Kaafiyaa is the mandatory rhyming pattern preceding the Radif. Words that match this pattern create a rhythmic flow, adding to the poetic quality. In our example, the Kaafiyaa includes words like "bar," "nazar," "par," "magar."
5. Matla:
The first Sher of a ghazal is the Matla, where the Radif appears in both lines. This Sher sets the tone, and a ghazal can have more than one Matla, with the second known as Matla-e-saani or Husn-e-matla.
6. Maqta:
A Maqta is the final Sher of a ghazal, featuring the poet’s pen name, or takhallus. It often provides personal insight or clever wordplay. Famous examples include:
- "Koi nam-o-nishan puchhe to ai kaasid bataa denaa,
Takhallus Daag hai, aur aahiqon ke dil me rehte hai."
Conclusion
In summary, a ghazal is a collection of Shers, each an independent two-line poem, adhering to the same Beher, Kaafiyaa, and Radif, featuring at least one Matla and one Maqta.You can find the original non-AI version of this article here: Classical Definition of Ghazal.
You can browse and read all the articles for free. If you want to use them and get PLR and MRR rights, you need to buy the pack. Learn more about this pack of over 100 000 MRR and PLR articles.